人生は薔薇色じゃない!? 沫野(まつの)さん家の5姉弟が繰り広げる、のっぴきならない家庭事情と恋愛事情。 新星・阿仁谷ユイジが描くキュート&エロティックオムニバス! 優等生の長女は、“お父さん”と純愛真っ最中。 ロックンロール名次女は、子どもを抱えてラブ&ピース真っ最中。 マイワールド全開の双子(三女・四女)は、同じ人を好きになって戸惑い真っ最中。 そんな姉たちに振り回される末っ子長男は、 ちょっぴりヒネクレ街道真っ最中。 僕らは今日も仲良し。 それなりに幸せです。

作者 桑迪•托兰（Sandy Tolan）南加州大学安纳伯格传播与新闻学院教授，重点关注土地、身份、环境和全球经济等交叉领域。托兰是三本非虚构图书的作者，还是十二部纪录片和纪实广播的制作人。 -- 译者 杨扬 现当代文学硕士，管理学硕士，编辑、记者、书评人，致力于挖掘生活和文本中的趣味性。著、译作品包括《这辈子：1920—2020外婆回忆录》《月光下的歌谣》。

In the summer of 1967, not long after the Six Day War, three young Palestinian men ventured into the town of Ramla in Israel. They were cousins, on a pilgrimage to see their childhood homes, from which they and their families had been driven out nearly twenty years earlier. One cousin had the door slammed in his face, one found that his old house had been converted into a schoo...(展开全部)

作者 桑迪•托兰（Sandy Tolan）南加州大学安纳伯格传播与新闻学院教授，重点关注土地、身份、环境和全球经济等交叉领域。托兰是三本非虚构图书的作者，还是十二部纪录片和纪实广播的制作人。 -- 译者 杨扬 现当代文学硕士，管理学硕士，编辑、记者、书评人，致力于挖掘生活和文本中的趣味性。著、译作品包括《这辈子：1920—2020外婆回忆录》《月光下的歌谣》。

作者 桑迪•托兰（Sandy Tolan）南加州大学安纳伯格传播与新闻学院教授，重点关注土地、身份、环境和全球经济等交叉领域。托兰是三本非虚构图书的作者，还是十二部纪录片和纪实广播的制作人。 -- 译者 杨扬 现当代文学硕士，管理学硕士，编辑、记者、书评人，致力于挖掘生活和文本中的趣味性。著、译作品包括《这辈子：1920—2020外婆回忆录》《月光下的歌谣》。

In the summer of 1967, not long after the Six Day War, three young Palestinian men ventured into the town of Ramla in Israel. They were cousins, on a pilgrimage to see their childhood homes, from which they and their families had been driven out nearly twenty years earlier. One cousin had the door slammed in his face, one found that his old house had been converted into a schoo...(展开全部)

作者 桑迪•托兰（Sandy Tolan）南加州大学安纳伯格传播与新闻学院教授，重点关注土地、身份、环境和全球经济等交叉领域。托兰是三本非虚构图书的作者，还是十二部纪录片和纪实广播的制作人。 -- 译者 杨扬 现当代文学硕士，管理学硕士，编辑、记者、书评人，致力于挖掘生活和文本中的趣味性。著、译作品包括《这辈子：1920—2020外婆回忆录》《月光下的歌谣》。

Of all the animals with which we share the planet, few have captured people's imaginations as thoroughly, or enchantingly, as birds. Symbols of freedom but also of captivity, good fortune but also ill omen, the human spirit and the unknowable animalbirds have delighted and haunted us for millennia.

Taussig describes how through theatres of ecstasy, composed of fragments of the great story that the State, for the perpetuation of its spiritual authority, needs to tell about itself, these spirits are provided a reservoir of magical powers. Developing concepts of the sacred from Bataille, the post-Surreal College of Sociology, Canetti, Marx, Hobbes and Walter Benjamin, Tauss...(展开全部)

Taussig describes how through theatres of ecstasy, composed of fragments of the great story that the State, for the perpetuation of its spiritual authority, needs to tell about itself, these spirits are provided a reservoir of magical powers. Developing concepts of the sacred from Bataille, the post-Surreal College of Sociology, Canetti, Marx, Hobbes and Walter Benjamin, Tauss...(展开全部)